Poor Things Movie Poster Print
poor things Quality Print
Poor Things Movie Poster Framed Print
Poor Things Movie Poster Canvas Print

Poor Things Movie Poster Print

Price range: $50.00 through $810.00

🖤 Poor Things – Movie Poster Print Bold, bizarre, and utterly unforgettable — Poor Things isn’t your typical period drama. With Emma Stone delivering a fearless, career-defining performance as Bella Baxter, this surreal masterpiece from director Yorgos Lanthimos blends gothic fantasy, science fiction, and dark comedy into a visual feast that’s as provocative as it is beautiful. This striking movie poster captures the film’s eccentric elegance — perfect for collectors who love cinema that pushes boundaries and dares to be different. From the intricate costume design to the dreamlike sets, Poor Things has already become a modern cult favourite, and…

Framing options

Mat Colour (Passepartout)

SKU: PTTWM7V
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Artwork description

🖤 Poor Things – Movie Poster Print

Bold, bizarre, and utterly unforgettable — Poor Things isn’t your typical period drama. With Emma Stone delivering a fearless, career-defining performance as Bella Baxter, this surreal masterpiece from director Yorgos Lanthimos blends gothic fantasy, science fiction, and dark comedy into a visual feast that’s as provocative as it is beautiful.

This striking movie poster captures the film’s eccentric elegance — perfect for collectors who love cinema that pushes boundaries and dares to be different. From the intricate costume design to the dreamlike sets, Poor Things has already become a modern cult favourite, and this artwork belongs on the wall of anyone who appreciates bold storytelling and visual bravado.

🖼 Available as a framed print, floating frame, rolled print, or stretched canvas, it’s the perfect addition to modern interiors, creative studios, or any space where art and cinema meet.

Additional Information
Art Type

Canvas Print, Framed Print, Paper Print, Floating Frame
Dimensions

12in x 18in (30cm x 46cm), 18in x 27in (46cm x 67cm), 24in x 36in (61cm x 91cm), 30in x 45in (76cm x 114cm), 40in x 60in (107cm x 152cm)
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Emma Stone Like You’ve Never Seen Her Before

Poor Things isn’t just a film — it’s an experience. From the opening scenes, you know you’re not in for a conventional story. It’s messy, defiant, and hypnotic in the best way. Yorgos Lanthimos takes Mary Shelley’s Frankenstein and turns it completely inside out, giving us Bella Baxter, a character so alive, so uninhibited, that she practically explodes off the screen. Emma Stone isn’t just acting here — she’s reinventing the idea of what a performance can be.

Visually, the film is an absolute marvel. Every frame looks like a decadent oil painting on the brink of distortion. The colour palettes shift like mood swings — soft one moment, saturated the next — and the sets feel like Victorian dreams run through a surrealist filter. Lanthimos doesn’t care about realism; he’s far more interested in creating a heightened world where the strange feels normal and the normal feels alien. It’s jarring at first, but that’s the point.

Why Poor Things Is Already a Cult Classic

The heart of the film, though, is Bella’s journey. Reborn with the brain of a child, she learns about the world on her own terms — sex, language, power, freedom — and her evolution is raw, awkward, and unfiltered. It’s funny, too, in that dark, offbeat way that Lanthimos does so well. But there’s tenderness underneath it all, and a surprisingly radical message about agency, desire, and how society tries to define what a woman should be.

Willem Dafoe, as the grotesque-yet-sympathetic scientist who resurrects her, gives a performance that’s both campy and quietly tragic. He’s one of those actors who can play horrifying and tender in the same breath, and here he’s the twisted architect of Bella’s freedom — even if he doesn’t fully understand what he’s set loose. The supporting cast (including Mark Ruffalo in a scene-stealing, uncharacteristically sleazy role) keeps the tone unpredictable, shifting from absurdity to sincerity in seconds.

What makes Poor Things linger in the mind isn’t just its visuals or even its themes — it’s the feeling it leaves you with. A kind of uneasy exhilaration. Like you’ve watched something beautiful and grotesque at once, something that doesn’t give easy answers but stays with you anyway. It’s the kind of film that earns a second watch, and definitely the kind of film you hang a poster of — not just because it looks incredible, but because it means something.